Precettoria di Sant’Antonio di Ranverso
Diocesi di Susa ( sec. XII )
All'interno della chiesa della Precettoria si possono ammirare gli affreschi di Giacomo Jaquerio, maestro del realismo gotico, e di Defendente Ferrari, rappresentante del Rinascimento piemontese.
Santuario di San Chiaffredo
Diocesi di Saluzzo ( sec. XIV )
Le origini della devozione saluzzese per san Chiaffredo, martire della Legione Tebea, risalirebbero al 18 novembre dell’anno 522, con il ritrovamento, da parte di un contadino, della sua tomba, proprio nel luogo in cui oggi sorge il celebre Santuario.
Diocesan Museum System
Diocesi di Susa
Diocesan Museum System. Constituted by the network of ecclesiastic museums coordinated by the Diocesan Museum of Sacred Art of Susa, which collect together and display the religious artistic heritage of the Susa Valley.
Gothic in Piedmont and Lombardy
The new medieval style known as “Gothic” arrived in borderland Piedmont from two different directions. One was France and the other, the most significant, was Lombardy. Nevertheless, with rare exceptions like the French-style apse of San Giovanni in Saluzzo, the Italian model prevailed. The ancient Roman roots of the Romanesque masonry tradition were too deeply entrenched to be supplanted by French structuralism. Gothic in Italy and in Piedmont was more a style used for decoration than for construction, becoming the Romanesque Gothic, whose round arches developed into ogees, while not quite freeing (at least not sufficiently) the walls to make room for great windows. The monuments that express this intelligent Italian compromise are Staffarda, Sant’Andrea in Vercelli, Sant’Antonio di Ranverso, and Chieri Cathedral.